The Songs of Volume 6: The End Ain’t Nigh
The Songs of San Mágos
The soundtrack to Momo & Yeti threads through the prose like a second voice. Songs surface at funerals, in mirrors, in the hum of a haunted café and the back of a teenager’s mind. Here is every song that appears in Volume 6, in the order it first rises off the page, with where to find it and what it might mean.
The Story Ahead (A Spoiler Alert)
Album: Nothing True, Nothing False (Album 1)
The carnival barker’s overture, a mischievous contract between book and reader. It promises monsters, masks, borrowed light and a tale where “nobody dies,” then dares you to work out which of those promises is a lie.
X, C, V, DEL (Cut Copy Paste Delete)
Album: Nothing True, Nothing False (Album 1)
A song about editing yourself down to fit. The editing commands of the title work on two levels at once, digital manipulation and emotional violence, the trimming of a self until only a frame remains. It asks who we are when the edits finally stop.
To Find My Voice I Had To
Album: Electric Peach Zen Social (Album 2)
A song about the cost of becoming yourself when a family or a system has spent years editing you down. It turns loss into authorship, the moment the edited self stops accepting the edits and finally speaks in a voice that is its own.
Nothing True, Nothing False
Album: Nothing True, Nothing False (Album 1)
The series’ philosophical spine. The song interrogates truth itself, how belief, power and perspective decide what counts as real, and how “winners write the final script.” Its refrain that truth depends on who you meet is dangerous and democratic at once.
All At Once
Album: I Am. (EP) (Album 3)
Every contradiction held in a single breath, damage and worth named in the same line. It moves from cataloguing the wounds to claiming them as the source of the art, and refuses the comfort of going back: “there’s only one way forward, and it ain’t back.”
Who Plays Judge?
Album: I Am. (EP) (Album 3)
A courtroom turned into a hall of mirrors. “Who’s got the gavel? Who’s got the pen?” asks who really holds authority, and turns the question back on anyone who ever judged from above, until mortal consequence becomes the one thing power could never escape.
More.
Album: Electric Peach Zen Social (Album 2)
A restless meditation on a culture that always wants more and never quite knows of what. Stripped back, it lands on a simpler hunger underneath all the noise, the wish to feel alive, and rises “not because we’re unbroken, but because we’re broken.”
Whoever We Want (Adios)
Album: Electric Peach Zen Social (Album 2)
The purest self-determination anthem in the series, all mismatched socks and “we can be whoever we want to be.” Beneath the play it argues that becoming yourself sometimes means walking away from the people who love the version of you they already know.
You Be You
Album: Electric Peach Zen Social (Album 2)
The song the whole series walks toward. Steady, sovereign love that asks for nothing and stays anyway, it scales from an intimate promise, “I’ll be your witness, I’ll hold the light,” into a collective call to be yourself so completely that forgetting becomes impossible.
Rebellion In The Seams
Album: Electric Peach Zen Social (Album 2)
Defiance disguised as couture. Under the chiffon and the perfect fit runs a refusal to be dressed into silence, the quiet fury of someone stitching resistance into the very thing they were told to smile behind.
Hear the soundtracks
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